kataska
these are things i like
these are things i make
kataska
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"I will never be a morning person, for the moon and I, are too much in love."
Testy McTesterson (via observando)
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katienakaska:

Abandoned, July 2014
Pictou, NS
Expired Portra 400 shot with the Rolleicord DBP
K. Nakaska
katienakaska:

Abandoned, July 2014
Pictou, NS
Expired Portra 400 shot with the Rolleicord DBP
K. Nakaska
katienakaska:

Abandoned, July 2014
Pictou, NS
Expired Portra 400 shot with the Rolleicord DBP
K. Nakaska
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~reminiscing~
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freelatte:

Peter van GurpJuly 2014
Part of my installation for Rundgang Kunsthochschule Berlin Weißensee
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alexandramarysewright:

A sampling of photo transfers I did from a larger series called:Tethered, 2012 Alexandra Maryse Wright
alexandramarysewright:

A sampling of photo transfers I did from a larger series called:Tethered, 2012 Alexandra Maryse Wright
alexandramarysewright:

A sampling of photo transfers I did from a larger series called:Tethered, 2012 Alexandra Maryse Wright
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"Nostalgia is the only friend that stays with you forever."
Damien Echols, Life After Death (via quoted-books)
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likeafieldmouse:

Nicolai Howalt - More from the series Car Crash Studies (2009)
likeafieldmouse:

Nicolai Howalt - More from the series Car Crash Studies (2009)
likeafieldmouse:

Nicolai Howalt - More from the series Car Crash Studies (2009)
likeafieldmouse:

Nicolai Howalt - More from the series Car Crash Studies (2009)
likeafieldmouse:

Nicolai Howalt - More from the series Car Crash Studies (2009)
likeafieldmouse:

Nicolai Howalt - More from the series Car Crash Studies (2009)
likeafieldmouse:

Nicolai Howalt - More from the series Car Crash Studies (2009)
likeafieldmouse:

Nicolai Howalt - More from the series Car Crash Studies (2009)
likeafieldmouse:

Nicolai Howalt - More from the series Car Crash Studies (2009)
likeafieldmouse:

Nicolai Howalt - More from the series Car Crash Studies (2009)
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jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 
jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 
jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 
jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 
jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 
jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 
jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 
jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 
jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 
jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 
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amberawellmann:

Ambera Wellmann
amberawellmann:

Ambera Wellmann
amberawellmann:

Ambera Wellmann
amberawellmann:

Ambera Wellmann
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blue-voids:

Yves Klein - The Void (Empty Room), 1961
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laura-antonmattei:

GERHARD RICHTER
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